Toni Morrison's novel, Beloved, highlights the devastating aspects of slavery. It's an exploration of how the character Beloved forces her family, mostly her mother, to face the tragedy of her past head on and start to heal. Beloved was killed by her mother Sethe when she was a baby because Sethe would rather kill her children than let them experience more of slavery. Not only is Beloved read as a ghost that haunts her family, but she represents generations of slavery and how the past haunted the subjects of this tragedy and prevented them from being able to move on with their lives. Beloved's death represents the aspect of slavery that is animalistic and how it torments and pushes people to do things that are savage and dehumanizing. This dehumanization is how Sethe is characterized throughout the book.
The fact about whether or not there is a physical ghost in 124 or if Sethe is simply tormented by her past and it is embodied in her dead child, can't be answered because it can be interpreted in so many different ways. No matter how the novel is read, the interpretations all point to the same idea: ghosts in literature, or any works for that matter, are never meant to be taken at face value. For example, in The Shining, (the film produced in 1980 by Stanley Kubrick as an adaptation for Stephen King's novel) explores the supernatural part of the psyche. The plots of The Shining and Beloved are in no way similar, but the underlying themes mirror each other. In The Shining, Jack Torrance, played by Jack Nicholson, moves his family to a hotel where he got the job as caretaker. The place is unusual, with telepathy being the first thing they are welcomed by, but they are told to stay out of room 237 (which seems similar to the house on 124 Bluestone Road). A month goes by and weird events start happening; Jack has a dream that he killed his wife and son, there are violent outbursts, etc. Sound familiar? Similar to Beloved, the ghosts of Overlook Hotel seem to be leeching off of the minds of anyone with "the shining" ability. This connection between "the shining" and slavery are similar, because only people with slavery in their past are able to see and be affected by Beloved while people with the "shining" ability have a language and history of their own. A sequence of events occur, and Jack corners his wife and son in their bathroom, driven to insanity by the supernatural effect that Overlook Hotel has on him. This is similar to how Sethe was driven to attack Mr. Bodwin with an icepick near the end of the book. In Eric Henderson's article for Slant Magazine, (http://www.slantmagazine.com/film/review/the-shining), Henderson states "(Kubrick was) swapping accelerated evolution in favor of a regression so primordially violent it disrupts the fabric of time."
which reinforces my point above about Beloved: it is the constant reminder of something that pushes people to do savage things. In Jack's case it may have been himself, or it may have been the ghosts, but in Beloved, the ghost acted as a catalyst for remembering the past and blocked their ability to look towards the future.
I Was Going to Pretend My Middle Name Was Lindsey But Decided Against it
Tuesday, April 14, 2015
Sunday, December 7, 2014
Metamorphose
It was 100 degrees Fahrenheit in December. Somehow, cicadas
were buzzing and pools of water were hovering below horizon lines. In another
couple of hours it would be freezing. The cicadas would shatter in mid air
along with the pools of water suspended above the roads. Soon they would drop
and crack into a billion pieces. The only thing that would break the silence at
night would be the collapsing of the frozen ice sculptures. And, of course, the
listless human figures casting mile long shadows and glistening under the
moonlight as their feet shuffled against the frozen ice making distinct clinking noises.
The girl peered from behind a bush of frozen prickly pears
and hid from the lethargic beings that stumbled on chunks of frozen ice and
quickly ran to one of the electrical towers that were by the side of the road.
A couple of the people noticed but continued on down the road and didn’t let
the others know. She would have to be more careful because there was one of her
and thousands of the others. The girl knew this area well and was able to find
a safety hatch carved into the side of a hill that hid the backpacks with the supplies.
As she opened the door, the smell of rainwater invited her inside. The lights
flickered on when they sensed her movement and she grabbed the last bag hanging
on one of the hooks; other people like her must have been here to help cut the
wires too. She closed the hatch and ran out to one of the towers before they
noticed her, and she started climbing. The view from above was hypnotizing. As
soon as the girl climbed to the top she was able to see the sea of bodies moving
towards the city. As she took the electrical
cutters from her backpack and set them up so they could cut the wire, she
stared down at the brilliant lights of the city and the mass of bodies headed
towards it. When the mechanical jaws snapped at the wire and broke it, there
was a flash of light and the city disappeared. The figures stood motionless on
the road and their eyes glazed over as the city lights started to fade one by
one.
The girl scrambled down the tower because she didn’t have
much time before they started towards the next city in their conquest for light.
She tried crossing the road back to the hatch to avoid them, but one of the
figures caught her ankle and dragged her into the crowd. She stumbled and fell
to the ground. The moon lit her pale face and she slowly stood up, one vertebra
at a time. Her feet crackled on shards of ice and she started dragging her feet
towards the next town with the tide of other bodies.
Prickly Pears, Getting Colder
Paloma Salas
Friday, August 1, 2014
Sorry, What's Your Name?
Foster’s chapter in How to Read
Literature Like a Professor titled “Now, Where Have I Seen Her Before?” talks
about a similar experience many teenagers experience. For example, the celebrity,
let’s say Miley Cyrus, will wear the latest in fashion and others will follow
suit. Foster’s point was to tell us that there isn’t just one piece of
literature that every other piece of literature stemmed from, however; there is
only one story. In other words, Miley wears a cool outfit unattainable to the
average person, but her followers go and buy look-a-like outfits. Thus,
repeating the trend, but in different ways they can afford. I know connecting
literature to Miley Cyrus’ clothing probably isn’t the most appropriate
analogy, but that’s the kind of connection Foster wants us to make in novels,
plays, poems, etc.
In the 40s, 50s, and 60s, dystopian
literature became more popular and authors started writing about societies that
seem undesirable. Many of these books stemmed from the tragedy of WWII, thus
following the same trend of trying to explain how the Holocaust could have
happened. For example, Fahrenheit 451 written by Ray Bradbury and 1984 written
by George Orwell both represent books that act as catalysts for this genre. It’s
also surprising that both main characters lead useless lives until a girl
appears in the plot that changes their lives and the storyline. The outcomes of
each book are different and pave the way for different interpretations, even
intertextuality, for future works.
If you take
two polar opposite movies and put them side by side they ultimately have the
same exact plot. For example, Mean Girls and The Social Network. Two seemingly
different movies, however, the plot essentially goes like this: A loner rises
to the top of the social hierarchy making enemies along the way. This is
simplified but if you were to explain them in one sentence that is the
fundamental plot. Same with The Road and Taken, Harry Potter and Star Wars,
Extremely Loud and Incredibly Close and Cast Away, etc. Further proof that subconsciously people take ideas from
past readings and store them away for use in the future.
Authors, screenwriters, poets, etc.
don’t mean to do this. I believe that the story becomes ingrained into us at
the very beginning, starting with story books for when we were little. After all, story telling is a cultural
phenomenon that has been passed down since archaic ages. It would be impossible
to not re-create the stories that people have been telling since our society could
paint onto the walls of caves. This conversation between books is endless and
will continue to be endless until the next Stephanie Meyers can think of
something just as brilliant as vampires (kidding) that will take hold of our
society. Although I am making fun of the vampire era that is common amongst
pre-teens, it still shaped our literature (and will continue to, unfortunately)
until someone else can start a different trend that grabs our world by storm.
She doesn't even go here...
Monday, June 30, 2014
Piggy Eaters and Ketchup Stains
Foster states in the
chapter of HTRLLAP called “Nice to Eat with You: Acts of Communion”, that meals
are a sacred act of communion when purposely put into literature. They are an
intimate act that not only connects the characters in the book together, but also
gives the reader a sense of connection with the characters. I believe that when
overtly included in literature, it is meant for us to get a glimpse of the
most private of actions between people. However, Foster also states that
communion doesn’t always have to be holy. In fact, when we are literally
“breaking the bread” at dinner, most of the time we are messy eaters and things
don’t always go as planned.
For example, in the Lord
of the Flies written by William Golding, the feast between the two tribes
starts out as a peace offering but has an alternate motive (at least for Piggy
and Ralph) and ends in the violent murder of Simon. Although the murder wasn’t
an anticipated part of the feast, this is just one example of a meal gone awry.
Not only does it display the lack of loyalty that Foster mentions, but it also
symbolizes the last piece of civilization being thrown away on the island. In
fact, as the kids chase around Simon, the sacrifice, they get caught up in the
animalistic act of hunting their “meat”. Only further proving, that in fact,
eating is messy and most often times a complicated process.
A more recent example of a
meal gone wrong is proven in Orange is the New Black. When Piper accidentally
insults the head Cook during her first meal in jail, she is sentenced to a
period of starving time and given a “warning” with a bloody tampon. Not only
does this consequential meal create a turning point for Piper’s initiation into
jail, but it also proves that when multiple people are sharing a meal together,
things go wrong. Like Foster points out, when two people are sharing a meal and
a third comes up unwanted, we clearly know how they feel about the third person
when they try to leave the table. However, Piper’s case is more unfortunate
because she had no prior knowledge of Red’s title. This meal takes an even more
unfortunate twist after Red politely takes back the generous gift of yogurt,
the only edible thing in the kitchen.
Perhaps one of the most
famous short stories written by Edgar Allen Poe, The Masque of the Red Death is
also a significant example further proving that indulgent feasts don’t always
go as planned. This is only amplified when an unwanted visitor crashes the
party, The clock strikes midnight, and a ghostly figure appears in the prince
Prospero’s mansion further ruining his plans of isolating and ignoring the
plague. His obliviousness to the victim of the plague is matched with death and
soon the castle falls to darkness and decay. This proves that not only does an
unwanted visitor ruin dinner plans but more often than not, we always end up
with a ketchup stain on our shirts.
-Haley Rose Hill
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